暨南学报(哲学社会科学版)

作者：戚悦, 孙明君

单位：清华大学人文学院博士研究生;孙明君,清华大学人文学院教授、博士生导师。

关键词：《文心雕龙》,声律,双声叠韵,双反,悉昙

基金：国家社会科学基金重大项目“《文心雕龙》汇释及百年‘龙学’学案”(批准号:17ZDA253)。

《文心雕龙·声律》是六朝声律理论中现存最为完整的经典文献,但对它的研究还很不够,且对其中不少问题的认识似是而非。尤其是对刘勰的“双叠”论,即“双声隔字而每舛,叠韵离句其必睽”之说,以往既未能区分双声叠韵词和双声叠韵字,更将其与“八病”说中的一些内容相混淆,进而误读“辘轳交往,逆鳞相比”之喻,以致把刘勰的批评之语当成了肯定之辞。事实上,连用双声叠韵字的做法在六朝颇为盛行,此与“双反”这种独特的语言现象有关,而其又与“悉昙”的传入密不可分。作为文论家,刘勰反对那些故意拼凑双声叠韵字的做法,认为那样会使得文章声势不顺,从而破坏抑扬顿挫、自然流畅的韵律之美。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重大项目“《文心雕龙》汇释及百年‘龙学’学案”(批准号:17ZDA253)。"],"article":{"keywordList_cn":["《文心雕龙》","声律","双反","双声叠韵","悉昙"],"juan":"41","zhaiyao_cn":"《文心雕龙·声律》是六朝声律理论中现存最为完整的经典文献,但对它的研究还很不够,且对其中不少问题的认识似是而非。尤其是对刘勰的“双叠”论,即“双声隔字而每舛,叠韵离句其必睽”之说,以往既未能区分双声叠韵词和双声叠韵字,更将其与“八病”说中的一些内容相混淆,进而误读“辘轳交往,逆鳞相比”之喻,以致把刘勰的批评之语当成了肯定之辞。事实上,连用双声叠韵字的做法在六朝颇为盛行,此与“双反”这种独特的语言现象有关,而其又与“悉昙”的传入密不可分。作为文论家,刘勰反对那些故意拼凑双声叠韵字的做法,认为那样会使得文章声势不顺,从而破坏抑扬顿挫、自然流畅的韵律之美。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6335","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6335","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2019/V41/I11/1","qi":"11","id":6335,"nian":2019,"bianHao":"2019-11-1","zuoZheEn_L":"QI Yue, SUN Mingjun","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2019","shouCiFaBuRiQi":"2019-12-03","qiShiYe":"1","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2019/V41/I11","lanMu_cn":"古代文学","pdfSize":"973","zuoZhe_CN":"戚悦, 孙明君","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6335","title_cn":"《文心雕龙》的“双叠”论","jieShuYe":"12","keywordList_en":["Alliterative and rhyming characters (shuangsheng and dieyun)","Double fan-chieh (shuangfan)","Rhythm (shenglv)","Siddham","Wenxin Diaolong"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6335","zhaiyao_en":"Among the extant classical texts on rhythm theory in the Six Dynasties, the chapter “Rhythm (Shenglv)” of Wenxin Diaolong is the most complete one, yet it has not received sufficient study or correct interpretation, especially in the understanding of the alliterative and rhyming (shuang and die) theory, which to be precise is “alliterative characters should be separated (shuangsheng ge zi er meichuan)” and “rhyming characters must be parted (dieyun liju qi bikui).” The previous researchers failed to differentiate alliterative/rhyming characters from alliterative/rhyming compounds. They even confused the alliterative and rhyming theory with some content in eight faults (babing) theory and misread the metaphor of “as the pulley tackle goes up and down, like the reverse scale lies with other scales (lulu jiaowang, nilin xiangbi),” therefore mistook Liu Xie's criticizing as praising. In fact, using alliterative and rhyming characters was quite popular in the Six Dynasties. It was closely related to a unique linguistic phenomenon called “double fan-chieh (shuangfan),” which was strongly connected with the introduction of siddham.As a literary critic, Liu Xie was opposed to the practice of scraping the alliterative and rhyming characters together. He thought that it would make the article lack smoothness and fluentness, thus destroy the beautiful and natural rhythm.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=6335","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2019/V41/I11/1","zuoZheCn_L":"戚悦, 孙明君","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2019","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2019/V41/I11","zuoZhe_EN":"QI Yue, SUN Mingjun","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=6335","title_en":"On the Alliterative and Rhyming (Shuang and Die) Theory in Wenxin Diaolong","hasPdf":"true"},"authorNotes_cn":["戚悦,清华大学人文学院博士研究生;孙明君,清华大学人文学院教授、博士生导师。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2019年第11期

《暨南学报(哲学社会科学版)》期刊编辑部

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