暨南学报(哲学社会科学版)

作者：王勇

单位：文学博士,安徽大学文学院讲师。

关键词：工拙,辩证,典范,转向,气论,心性论

基金：国家社会科学基金重点项目“中华美学精神的诗学基因研究”(批准号:19AZW001)。

“工”“拙”作为中国古典文论的一对范畴,具有对立、转化与统一的辩证关系。“工拙”在魏晋时期被用于文学批评,经过沈约、刘勰、钟嵘等人的发展,确立了以辞藻、声律、修辞和用典等文学形式为核心的理论内涵。在文学创作上,六朝人实践了追求形式美的主张,唐人因袭此风,树立了以“工”为美的审美典范。到了宋代随着儒学复兴,理学家构建了别开生面的思辨哲学,宋人取资于理学建构自己的诗学理论。具体来说,理学的气论哲学与心性论哲学都指向了道德本体,促使宋人论诗偏向了主体精神人格与诗文内容的讨论。故而宋人采取了反拨与消解两种策略,通过标举“拙”来否定六朝对文学形式的追求,同时从哲学本体上消解了文学的审美价值,以内容作为文学价值的判断标准。至此,中古与宋代“工拙论”的理论重心与理论旨趣便呈现出迥异的面貌。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重点项目“中华美学精神的诗学基因研究”(批准号:19AZW001)。"],"article":{"keywordList_cn":["辩证","典范","工拙","气论","心性论","转向"],"juan":"42","zhaiyao_cn":"“工”“拙”作为中国古典文论的一对范畴,具有对立、转化与统一的辩证关系。“工拙”在魏晋时期被用于文学批评,经过沈约、刘勰、钟嵘等人的发展,确立了以辞藻、声律、修辞和用典等文学形式为核心的理论内涵。在文学创作上,六朝人实践了追求形式美的主张,唐人因袭此风,树立了以“工”为美的审美典范。到了宋代随着儒学复兴,理学家构建了别开生面的思辨哲学,宋人取资于理学建构自己的诗学理论。具体来说,理学的气论哲学与心性论哲学都指向了道德本体,促使宋人论诗偏向了主体精神人格与诗文内容的讨论。故而宋人采取了反拨与消解两种策略,通过标举“拙”来否定六朝对文学形式的追求,同时从哲学本体上消解了文学的审美价值,以内容作为文学价值的判断标准。至此,中古与宋代“工拙论”的理论重心与理论旨趣便呈现出迥异的面貌。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6422","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6422","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2020/V42/I7/11","qi":"7","id":6422,"nian":2020,"bianHao":"2020-7-11","zuoZheEn_L":"WANG Yong","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2020","shouCiFaBuRiQi":"2020-07-07","qiShiYe":"11","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2020/V42/I7","lanMu_cn":"文学","pdfSize":"847","zuoZhe_CN":"王勇","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6422","title_cn":"唐宋思想转型与作为诗学批评术语的“工拙”","jieShuYe":"22","keywordList_en":["dialectical","Gongzhuo","model","steering","the philosophy of disposition","the philosophy of qi"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6422","zhaiyao_en":"As a pair of aesthetic categories in the theory of classical Chinese literary, “Gong” and “Zhuo” have the dialectical relationship of opposition, transformation and unity. 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来源：2020年第7期

《暨南学报(哲学社会科学版)》期刊编辑部

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