暨南学报(哲学社会科学版)

作者：何兰芳

单位：中国社会科学院文学研究所副编审。

关键词：尼采,瓦格纳,勃拉姆斯,浪漫主义者,颓废

瓦格纳和勃拉姆斯一般被认为是音乐立场上的对手,而尼采曾不顾瓦格纳的反对,在瓦格纳面前褒扬勃拉姆斯的音乐。其时,尼采尽管仍未完全放弃对瓦格纳复兴酒神音乐的希望,但已意识到瓦格纳音乐所存在的缺陷和危险,从而很可能试图结合瓦格纳和勃拉姆斯的不同音乐倾向,对勃拉姆斯有着类似于对音乐中的日神精神的期待,以勃拉姆斯来补充瓦格纳。但在抱有这一音乐理想的同时,尼采对瓦格纳和勃拉姆斯均心存怀疑:由于酒神和日神不可分离的一体性,没有日神约束的酒神只能成为激情的放纵,失去酒神根基的日神只能成为浅薄的假象,因此,瓦格纳不能代表酒神音乐,勃拉姆斯也并不能称其为日神艺术家。最终,尼采确证了自己的怀疑,认为瓦格纳和勃拉姆斯并无根本不同,他们都是艺术上的浪漫主义者,代表了音乐上的颓废倾向。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"article":{"keywordList_cn":["勃拉姆斯","浪漫主义者","尼采","颓废","瓦格纳"],"juan":"43","zhaiyao_cn":"瓦格纳和勃拉姆斯一般被认为是音乐立场上的对手,而尼采曾不顾瓦格纳的反对,在瓦格纳面前褒扬勃拉姆斯的音乐。其时,尼采尽管仍未完全放弃对瓦格纳复兴酒神音乐的希望,但已意识到瓦格纳音乐所存在的缺陷和危险,从而很可能试图结合瓦格纳和勃拉姆斯的不同音乐倾向,对勃拉姆斯有着类似于对音乐中的日神精神的期待,以勃拉姆斯来补充瓦格纳。但在抱有这一音乐理想的同时,尼采对瓦格纳和勃拉姆斯均心存怀疑:由于酒神和日神不可分离的一体性,没有日神约束的酒神只能成为激情的放纵,失去酒神根基的日神只能成为浅薄的假象,因此,瓦格纳不能代表酒神音乐,勃拉姆斯也并不能称其为日神艺术家。最终,尼采确证了自己的怀疑,认为瓦格纳和勃拉姆斯并无根本不同,他们都是艺术上的浪漫主义者,代表了音乐上的颓废倾向。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6464","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6464","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2021/V43/I2/37","qi":"2","id":6464,"nian":2021,"bianHao":"2021-2-37","zuoZheEn_L":"HE Lanfang","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2021","shouCiFaBuRiQi":"2021-03-17","qiShiYe":"37","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2021/V43/I2","lanMu_cn":"文学","pdfSize":"1549","zuoZhe_CN":"何兰芳","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6464","title_cn":"尼采反勃拉姆斯","jieShuYe":"46","keywordList_en":["Brahms","decadence","Nietzsche","romanticist","Wagner"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6464","zhaiyao_en":"Wagner and Brahms were regarded as rivals in the field of music. Nietzsche once praised Brahms's music in front of Wagner despite his opposition. Although Nietzsche did not completely give up his hope for Wagner's revival of Dionysian music at that time, he was aware of the defects and dangers of Wagner's music. Nietzsche probably had thought that Brahms represented the Apollonian element in music and tried to supplement Wagner with Brahms. But with this musical expectation, Nietzsche was still suspicious of both Wagner and Brahms. According to Nietzsche, the Dionysus without the constraints of the Apollo can only become the indulgence of passion, while the Apollo without the Dionysian foundation can only become superficial illusion. Finally, Nietzsche confirmed his suspicions and didn't think that Wagner and Brahms were fundamentally different. 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来源：2021年第2期

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