暨南学报(哲学社会科学版)

作者：周飞

单位：河南大学文学院。

关键词：瓷,中国风,戈蒂耶,瓷亭,《白玉诗书》

基金：暨南大学中华文化港澳台及海外传承传播协同创新中心资助项目“中国画论在西方的流传与影响(1897—1950)”(JNXT2022003)。

瓷器在法国社会的流传具有物质文化与文学审美的双重意义。首先,中国瓷器不仅是法国王室贵族财富和身份的表征,还参与到法国本土洛可可艺术发展的进程之中,成为法国中国风的代表性器物。其次,法国中国风的瓷制建筑与瓷器装饰文化催生了法国文学中的“瓷塔”“瓷亭”等瓷器文学意象,为法国诗人搭建了一座理想的美学殿堂。最后,朱迪丝译介的中国古诗《瓷亭》,不仅实现了瓷与诗的汇通,而且突破了译文的原初语境,显示出瓷器在中法文化交流过程中的特殊价值,彰显了鲜明的文化创见意义。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["暨南大学中华文化港澳台及海外传承传播协同创新中心资助项目“中国画论在西方的流传与影响(1897—1950)”(JNXT2022003)。"],"article":{"keywordList_cn":["《白玉诗书》","瓷","瓷亭","戈蒂耶","中国风"],"juan":"44","zhaiyao_cn":"瓷器在法国社会的流传具有物质文化与文学审美的双重意义。首先,中国瓷器不仅是法国王室贵族财富和身份的表征,还参与到法国本土洛可可艺术发展的进程之中,成为法国中国风的代表性器物。其次,法国中国风的瓷制建筑与瓷器装饰文化催生了法国文学中的“瓷塔”“瓷亭”等瓷器文学意象,为法国诗人搭建了一座理想的美学殿堂。最后,朱迪丝译介的中国古诗《瓷亭》,不仅实现了瓷与诗的汇通,而且突破了译文的原初语境,显示出瓷器在中法文化交流过程中的特殊价值,彰显了鲜明的文化创见意义。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6669","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6669","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20211337","qi":"9","id":6669,"nian":2022,"bianHao":"2022-9-24","zuoZheEn_L":"ZHOU Fei","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2022","shouCiFaBuRiQi":"2022-10-28","qiShiYe":"24","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2022/V44/I9","lanMu_cn":"文学研究","pdfSize":"1402","zuoZhe_CN":"周飞","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6669","title_cn":"瓷与诗的汇通:法国的中国意象","doi":"10.11778/j.jnxb.20211337","jieShuYe":"34","keywordList_en":["Le Livre de Jade","Chinoiserie","Gautier","porcelain","porcelain pavilion"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6669","zhaiyao_en":"The spread of porcelain in French society has dual significance of material culture and aesthetics. First of all, Chinese porcelain is not only a representation of wealth and identity of the French royal aristocracy, but also participates in Rococo art in France, becoming a representative of Chinese style in France. Secondly, the Chinese style porcelain architecture and porcelain decoration culture in France produced the “porcelain tower”, “porcelain pavilion” and other porcelain literary images in French, which built an aesthetic spiritual palace for French poets. 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来源：2022年第9期

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