暨南学报(哲学社会科学版)

作者：陶慧

单位：南京师范大学文学院。

关键词：《新唐书》,韩愈,古文运动,宋祁,崇韩

基金：国家社会科学基金后期资助项目“两《唐书》与唐代文学史建构研究”(21FZWB067)。

在北宋儒学复兴与“崇韩”思潮的时代背景下,《新唐书》用正面叙写和侧面烘托两种方法,着意将韩愈树立为有唐“一代文宗”,对其形象进行了多方面的美化与提升。这种建构性书写与同时期古文家们对韩愈的推崇一样,本质目的乃是借“崇韩”来重建以儒学为核心的社会文化秩序。但在文学评价层面,《新唐书》主要称颂的是韩愈“陈言务去”的创新精神,对其古文并未多加措意,不宜作为北宋古文家文学观念的代表。受列传撰者宋祁个人求新好异之文学观念的影响,《新唐书》对韩愈文学成就的评价,实可视为其时另一种“崇韩”声音,与所谓“古文运动”共同构成了北宋文坛儒学复兴主题下的复调交响。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金后期资助项目“两《唐书》与唐代文学史建构研究”(21FZWB067)。"],"article":{"keywordList_cn":["《新唐书》","韩愈","古文运动","宋祁","崇韩"],"juan":"45","zhaiyao_cn":"在北宋儒学复兴与“崇韩”思潮的时代背景下,《新唐书》用正面叙写和侧面烘托两种方法,着意将韩愈树立为有唐“一代文宗”,对其形象进行了多方面的美化与提升。这种建构性书写与同时期古文家们对韩愈的推崇一样,本质目的乃是借“崇韩”来重建以儒学为核心的社会文化秩序。但在文学评价层面,《新唐书》主要称颂的是韩愈“陈言务去”的创新精神,对其古文并未多加措意,不宜作为北宋古文家文学观念的代表。受列传撰者宋祁个人求新好异之文学观念的影响,《新唐书》对韩愈文学成就的评价,实可视为其时另一种“崇韩”声音,与所谓“古文运动”共同构成了北宋文坛儒学复兴主题下的复调交响。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6790","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6790","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20230607","qi":"10","id":6790,"nian":2023,"bianHao":"1696924754796-1520620927","zuoZheEn_L":"TAO Hui","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2023","shouCiFaBuRiQi":"2023-10-10","qiShiYe":"14","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2023/V45/I10","lanMu_cn":"文学研究","pdfSize":"818","zuoZhe_CN":"陶慧","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6790","title_cn":"复调交响:再论《新唐书·韩愈传》与北宋古文运动之关系","doi":"10.11778/j.jnxb.20230607","jieShuYe":"22","keywordList_en":["New Book of Tang","Han Yu","Classical Prose Movement","Song Qi","Han Yu worship"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6790","zhaiyao_en":"Han Yu, a famous scholar in the Tang Dynasty, is an important banner of the movement of revival of Confucianism in the Northern Song Dynasty. His Confucian and literary theories received high attention from the scholar-officials of the Song Dynasty and his personal image was also reshaped and idealized, which is particularly evident in the New Book of Tang. Unlike the Old Book of Tang, in which Han Yu was only regarded as one of the literary figures of the middle Tang Dynasty, the New Book of Tang deliberately emphasizes Han Yu's central position in culture in terms of its arrangement and expression. Regarding the obvious “Han Yu worship” tendency in the New Book of Tang, previous scholars have mainly focused on the “Classical Prose Movement” of the Northern Song Dynasty, believing that the emphasis on Han Yu in the New Book of Tang primarily represents the stance of the ancient prose writers of the Song Dynasty. However, it is worth noting that the author of the biographies section of the New Book of Tang, Song Qi, was a latecomer to the Xikun School and did not actively participate in the “Classical Prose Movement”. His literary ideas were quite different from those of contemporary ancient prose writers. Therefore, there is still a need to reexamine the relationship between the “Han Yu worship” tendency in the New Book of Tang and the “Classical Prose Movement” of the Northern Song Dynasty.This article adopts a research method that involves detailed analysis of the text and comparative analysis of historical materials to uncover the literary historical information hidden behind the documents. Taking the New Book of Tang as a starting point, it aims to reassess the multidimensional aspects of literary thought in the Northern Song Dynasty by examining the process of establishing Han Yu's literary position in the Northern Song Dynasty. From the content of the text, the Biography of Han Yu in the New Book of Tang extensively embellishes the image of Han Yu, which was somewhat mixed in the Old Book of Tang. It highlights his noble and steadfast moral character and deliberately portrays Han Yu as the “literary master of the Tang Dynasty”. This constructive writing, similar to the admiration of Han Yu by advocates of the “Classical Prose Movement” at the time, essentially aims to rebuild a social and cultural order with Confucianism at its core. This was a prevalent trend among the literati and scholar-officials in the early and middle periods of the Northern Song Dynasty. However, from the perspective of literary evaluation, influenced by the personal literary ideas of the biographer Song Qi, who sought novelty and uniqueness, the New Book of Tang mainly praises Han Yu's innovative spirit of presenting new ideas and discarding old ones, without paying much attention to his ancient prose. It even intentionally downplays the discussion of Han Yu's literary style, diluting his opposition to the vernacular and his preference for the ancient style. This distinguishes him from the contemporary literary figures of the revivalist school and makes it inappropriate to consider him as a representative of the literary ideas of the ancient prose writers of the Northern Song Dynasty.Therefore, the previous interpretation of the Han Yu worship tendency in the New Book of Tang as part of the Classical Prose Movement of the Northern Song Dynasty is not accurate. The evaluation of Han Yu's literary achievements in the New Book of Tang can be seen as another voice of “Han Yu worship” in the literary world of the early and middle periods of the Northern Song Dynasty. During this period, the literary world witnessed a polyphonic symphony with the revival of Confucianism as its main theme, rather than a “solo performance” by a particular school. Focusing solely on the main melody of the “Classical Prose Movement” in the history of literature may overshadow the other harmonies. This is something we should not overlook when observing the panoramic view of the literary world of the Northern Song Dynasty.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=6790","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20230607","zuoZheCn_L":"陶慧","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2023","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2023/V45/I10","zuoZhe_EN":"TAO Hui","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=6790","title_en":"A Polyphonic Symphony: Re-Examining the Relationship between the Biography of Han Yu in the New Book of Tang and the Ancient Prose Movement of the Northern Song Dynasty","hasPdf":"true"},"authorNotes_cn":["陶慧,南京师范大学文学院。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2023年第10期

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