暨南学报(哲学社会科学版)

作者：高明, 漆峥

单位：陕西师范大学美术学院。

关键词：大遗址,遗址美术,研究方法论,文化遗产

基金：2022年陕西师范大学“长安与丝路文化传播”专项科研项目“长安与丝路文化的图像传播研究”(YZJDA01);教育部人文社会科学研究青年基金项目“清宫传教士画家作品中的民族交往史研究”(21YJCZH114);广东省哲学社会科学规划岭南文化项目“清宫传教士画家郎世宁与岭南广彩瓷之研究”(GD21LN06)。

当前我国“大遗址”事业方兴未艾,交叉学科“中国遗址美术”应运而生。中国遗址美术研究方法论关系到学科的科学性,以及遗址美术的进展方向。目前,中国遗址美术未有系统、明确的研究方法体系,缺乏对研究方法论的明细阐释,这阻碍了中国遗址美术的深入研究和发展。通过对遗址美术研究方法论进行探讨,以期为“大遗址”研究者提供多视角、多层次的思考,丰富大遗址保护理论,进一步推进中国遗址美术研究。以马克思主义辩证唯物主义与历史唯物主义为指导思想,将中国遗址美术研究方法分为遗址美术一般研究方法、遗址美术本体研究方法、遗址美术保护和利用研究方法、遗址美术教育研究方法四种研究方法。在研究中,我们综合运用研究方法,解决当代中国遗址美术学术研究和成果展示脱节的问题。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["2022年陕西师范大学“长安与丝路文化传播”专项科研项目“长安与丝路文化的图像传播研究”(YZJDA01);教育部人文社会科学研究青年基金项目“清宫传教士画家作品中的民族交往史研究”(21YJCZH114);广东省哲学社会科学规划岭南文化项目“清宫传教士画家郎世宁与岭南广彩瓷之研究”(GD21LN06)。"],"article":{"keywordList_cn":["大遗址","遗址美术","研究方法论","文化遗产"],"juan":"46","zhaiyao_cn":"当前我国“大遗址”事业方兴未艾,交叉学科“中国遗址美术”应运而生。中国遗址美术研究方法论关系到学科的科学性,以及遗址美术的进展方向。目前,中国遗址美术未有系统、明确的研究方法体系,缺乏对研究方法论的明细阐释,这阻碍了中国遗址美术的深入研究和发展。通过对遗址美术研究方法论进行探讨,以期为“大遗址”研究者提供多视角、多层次的思考,丰富大遗址保护理论,进一步推进中国遗址美术研究。以马克思主义辩证唯物主义与历史唯物主义为指导思想,将中国遗址美术研究方法分为遗址美术一般研究方法、遗址美术本体研究方法、遗址美术保护和利用研究方法、遗址美术教育研究方法四种研究方法。在研究中,我们综合运用研究方法,解决当代中国遗址美术学术研究和成果展示脱节的问题。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6882","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6882","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20231112","qi":"1","id":6882,"nian":2024,"bianHao":"1706778273544-270388323","zuoZheEn_L":"GAO Ming, QI Zheng","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024","shouCiFaBuRiQi":"2024-02-01","qiShiYe":"47","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024/V46/I1","lanMu_cn":"历史学","pdfSize":"1611","zuoZhe_CN":"高明, 漆峥","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6882","title_cn":"交叉与融合:中国遗址美术研究方法论","doi":"10.11778/j.jnxb.20231112","jieShuYe":"60","keywordList_en":["great sites","sites art","research methodology","heritage"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6882","zhaiyao_en":"The great sites are considered to be the crucial cultural carrier and material symbol that canreflect the origin and evolution of the ancient civilization of the Chinese nationin an all-round way. Currently, China's “great sites” research is on itsstage of vigorous prosperity, and the interdisciplinary discipline of Chinese sites art has come into being.The methodology of the study of Chinese sites art is closely related to the scientificity of the subject and the development orientation of sites art.At present, in the field of Chinese sites art, a systematic and explicit research method system has not been formed, and a detailed explanation of the research methodology is still lacking, which has hindered the in-depth research and progress of Chinese sites art.On the basis of the exploration of the methodology of sites art research, it is expected to provide researchers ofgreat sites with multi-perspective, multi-level thinking and reflection.Consequently, the theory of the protection of great sitesis enriched,andthe study of Chinese sites artis further promoted.By definition, sites art is an interdisciplinary discipline that covers the disciplines of fine arts, archaeology, history, anthropology, and pedagogy. To be specific, taking the ancient art sites and relics excavated in field surveys and excavations as the research object, while adhering to the unity of historical methods and logical methods, and combining literature and historical materials, science and technology, and art creativity for art archaeology, sustainable display and utilization of sites, and art education of sites, this paper is to clarify the process of the production and development of art, and resurrect the sites, and integrate them into modern life.The chronological scope of the study of the sites artdates from the Paleolithic Period to the Ming and Qing dynasties. Among them, two time periods are of vital significance, namely, one is the stage before it becomes a site, and the other is the stage after it becomes a site.The principal research objects of sites art are mausoleum sites art, religious sites art, imperial palace sites art, settlement sites art, and other sites art.From the point of subject objectives, it focuses on three core issues:Firstly, it is the ontological research of sites art, including the excavation, collation, and interpretation of art sites; secondly, it is the protection of sites art; thirdly, it is the display and utilization of sites art.Based on the above,the following levels of sites should be covered by sites art research, such as discovery and excavation, classification and sorting, research and interpretation, protection and restoration, achievement display, and public education.Taking Marxist dialectical materialism and historical materialism as the guiding ideology, it inherits Chinese academic traditions, introduces and absorbsWestern theories of fine arts, archaeology and pedagogy, and refers to the development trend of contemporary site art.On the basis of summarizing research of related disciplines and schools, the methodology of sites art research is explored. Normally, the research methods of Chinese sites art can be divided into four research methods, namely, general research methods of sites art, ontological research methods of sites art, research methods for the protection and utilization of sites art, and research methods for the education of sites art.The general research methods of sites art are composed of field survey method, philology method, comparative research method, and comprehensive research method.General research methods refer to those generally applied in the broad field of humanities and social sciences.Through these research methods, it provides original research materials and basic cognition for the art of sites.The research methods of archaeological art ontology are sorted into archaeological stratigraphy, archaeological chronology, archaeological typology, art history research method, iconography research method, and style analysis method; theontological research methods of sites artis regarded as the foundation of the sites art system.Only by mastering a comprehensive and in-depth understanding and cognition of the art materials of the sites can targeted protection and display practices be carried out according to their unique characteristics.Primarily, ontological research is reflected in the two dimensions of site exploration and art review and interpretation.The research methods on the protection and utilization of sites art are divided into concept construction methods, research on protection measures, and museological methods.Compared with the ontological research of sitesart, it is a more specific and practical work for the protection and utilization of ancient art sites and relics.As a long-term, sustainable development and utilization project, the support from regulations, policies and concepts is indispensable;moreover, technical support and guarantee are essential to the protection of the sites art. The research methods of sites art education consist of public archaeology and pedagogy methods; the ultimate-level issue of the sites art is the display of the results of research and protection.In addition, through a series of display methods, it is convenient for the public to feel the occurrence and development process of fine arts, and aesthetic education shall be promoted.In research, the issue of disconnection between the academic research of contemporary Chinese sites and the display of achievements is expected to be resolved through the comprehensive application of research methods. Furthermore, this is a beneficial attempt in the practice of protecting greatsites.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=6882","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20231112","zuoZheCn_L":"高明, 漆峥","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024/V46/I1","zuoZhe_EN":"GAO Ming, QI Zheng","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=6882","title_en":"Intersection and Integration: Methodology of Research on Chinese Sites Art","hasPdf":"true"},"authorNotes_cn":["高明、漆峥,陕西师范大学美术学院。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2024年第1期

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