暨南学报(哲学社会科学版)

作者：蒲柏林

单位：四川大学中国俗文化研究所。

关键词：陆游,记梦诗,诗料,工夫论,梦的诗学

基金：中国博士后科学基金资助项目“物质载体与唐宋诗歌的经典化研究”(2023M742505);国家资助博士后研究计划C档资助项目(GZC20231855);教育部青年基金项目“古今文学演变视域中陆游作品的经典生成研究”(22YJC751003)。

陆游对诗体与梦境的独特认知及大量创作实践是中国古代记梦文学发展的关键一环,“夜梦验工夫”则是其凝练的经验总结。在宋诗日常化的背景下,陆游所记之梦由仙界降临人间,成为创作的“诗料”。因果关系的建构令破碎的梦境得以形成融叙事、抒情、议论为一体的诗境,制题、诗序和句法的灵活安排则让记梦诗的各项表达功能得以被充分挖掘。在陆游记梦诗创作背后,江西宗派以来所倡工夫论影响尤大:梦境的题材内容体现了存养正气的诗外工夫,衔接梦境碎片乃至梦中作诗的能力则体现了熟参前人句法的诗内工夫。由此,作为诗料的梦既是道与技融通的产物,又是记梦诗的创作素材,记梦诗因而成为陆游文学创作的重要类型,也对后代产生了一定影响。围绕陆游记梦诗的考察,说明研究者不但要关注古代的文学理论,更应在作家的实践中抽绎古代文学的理论。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["中国博士后科学基金资助项目“物质载体与唐宋诗歌的经典化研究”(2023M742505);国家资助博士后研究计划C档资助项目(GZC20231855);教育部青年基金项目“古今文学演变视域中陆游作品的经典生成研究”(22YJC751003)。"],"article":{"keywordList_cn":["陆游","记梦诗","诗料","工夫论","梦的诗学"],"juan":"46","zhaiyao_cn":"陆游对诗体与梦境的独特认知及大量创作实践是中国古代记梦文学发展的关键一环,“夜梦验工夫”则是其凝练的经验总结。在宋诗日常化的背景下,陆游所记之梦由仙界降临人间,成为创作的“诗料”。因果关系的建构令破碎的梦境得以形成融叙事、抒情、议论为一体的诗境,制题、诗序和句法的灵活安排则让记梦诗的各项表达功能得以被充分挖掘。在陆游记梦诗创作背后,江西宗派以来所倡工夫论影响尤大:梦境的题材内容体现了存养正气的诗外工夫,衔接梦境碎片乃至梦中作诗的能力则体现了熟参前人句法的诗内工夫。由此,作为诗料的梦既是道与技融通的产物,又是记梦诗的创作素材,记梦诗因而成为陆游文学创作的重要类型,也对后代产生了一定影响。围绕陆游记梦诗的考察,说明研究者不但要关注古代的文学理论,更应在作家的实践中抽绎古代文学的理论。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6923","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6923","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20231728","qi":"3","id":6923,"nian":2024,"bianHao":"1712029776112-1431600108","zuoZheEn_L":"PU Bolin","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024","shouCiFaBuRiQi":"2024-04-02","qiShiYe":"50","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024/V46/I3","lanMu_cn":"中国文学原理及其特质·唐宋文学","pdfSize":"1458","zuoZhe_CN":"蒲柏林","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6923","title_cn":"夜梦验工夫:陆游记梦创作及其诗学原理","doi":"10.11778/j.jnxb.20231728","jieShuYe":"63","keywordList_en":["Lu You","dream-recording poems","poetic material","Gongfu theory","the poetics of dreams"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6923","zhaiyao_en":"Lu You's unique knowledge of poetic genre and dream world, as well as his extensive creative practice, is a key link in the development of ancient Chinese dream-recording literature, and “Night Dreams Can Prove Gongfu” is the summary of his experience. Against the backdrop of the everydayness of Song poetry, Lu You's dreams came down from the immortal world to the earth, and became the “poetic material” for his creations. The construction of cause-and-effect relationship enables the broken dream to form a poetic context integrating narrative, lyricism and argumentation, while the flexible arrangement of title, sequence and syntax allows the expression functions of dream-recording poems to be fully explored. Behind the creation of Lu You's dream-recording poems, the influence of the Gongfu theory advocated by the Jiangxi School is particularly strong: the subject matter of the dream reflects the Gongfu beyond poetry of cultivating righteousness, while the ability to connect the fragments of the dream and even to write poems in the dream reflects the Gongfu within poetry of familiarizing oneself with the syntax of the predecessors. As a result, dreams as poetic material are not only the product of the fusion of Dao and poetic skills, but also the material for the creation of dream-recording poems, which thus became an important type of Lu You's literary creation and had a certain influence on later generations.Compared with previous studies on Lu You's dream-recording poems, this paper jumps out of the analytical approach of theme first and the research perspective of narrative and psychological interpretation, and returns to the Song concepts of “poetic material” and Gongfu theory, pointing out that these factors deeply influenced Lu You's creation of dream-recording poems and expression strategies, and further contributed to the merging of poems from dreams and dream-recording poems.This paper adopts the research method of combining bibliography and literature, not only combing and analyzing basic literature of dream-recording poetry and its development trajectory, but also attempting to enrich the knowledge of Southern Song poetics from the perspective of literature. At the same time, it draws on the cutting-edge results of dream science and tries to clarify the theoretical misunderstandings of previous research on dream-recording poems.Taking Lu You's experience as an entry point, this paper focuses on three dimensions, namely, Lu You's cognition of dreams, the qualities of Lu You's dream-recording poems and their innovative significance, as well as the poetic concepts of Lu You's dream-recording poems, so as to reveal the development of Lu You's dream-recording poems in terms of his writing strategies in comparison with his works in the Northern Song Dynasty, and to prove the significance of his dream-recording poems in the history of literature. 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来源：2024年第3期

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