暨南学报(哲学社会科学版)

作者：蒲若茜, 石俏杨

单位：暨南大学外国语学院;石俏杨,暨南大学文学院。

关键词：“X一代”,亚裔美国诗歌,词语游戏,碎片化叙事,“空白”

基金：国家社会科学基金重大项目“华人学者中国文艺理论及思想的文献整理与研究”(18ZDA265)。

20世纪80年代至今,“X一代”亚裔美国诗人一直活跃在美国诗坛,积极进行诗歌形式与风格的创新,丰富了当代英语诗歌的语言表征和美学表达。本文聚焦于“X一代”亚裔美国诗歌中的创新性诗学实践,考察亚裔美国诗歌的语言创新、碎片化叙事,以及“空白”的视觉呈现。这些实践突破了既定的语言规范,革新了诗歌的视觉效果,既再现了亚裔美国人复杂的移民历史和族裔经验,又挑战了美国社会固有的权力关系,为亚裔美国诗歌发展赋予了新的美学意义和现实意义。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重大项目“华人学者中国文艺理论及思想的文献整理与研究”(18ZDA265)。"],"article":{"keywordList_cn":["“X一代”","亚裔美国诗歌","词语游戏","碎片化叙事","“空白”"],"juan":"46","zhaiyao_cn":"20世纪80年代至今,“X一代”亚裔美国诗人一直活跃在美国诗坛,积极进行诗歌形式与风格的创新,丰富了当代英语诗歌的语言表征和美学表达。本文聚焦于“X一代”亚裔美国诗歌中的创新性诗学实践,考察亚裔美国诗歌的语言创新、碎片化叙事,以及“空白”的视觉呈现。这些实践突破了既定的语言规范,革新了诗歌的视觉效果,既再现了亚裔美国人复杂的移民历史和族裔经验,又挑战了美国社会固有的权力关系,为亚裔美国诗歌发展赋予了新的美学意义和现实意义。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=6947","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=6947","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20240230","qi":"4","id":6947,"nian":2024,"bianHao":"1715308991245-1243516732","zuoZheEn_L":"PU Ruoqian, SHI Qiaoyang","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024","shouCiFaBuRiQi":"2024-05-10","qiShiYe":"29","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024/V46/I4","lanMu_cn":"台港澳暨海外华文文学研究(教育部名栏)","pdfSize":"1632","zuoZhe_CN":"蒲若茜, 石俏杨","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=6947","title_cn":"论“X一代”亚裔美国诗歌之创新性诗学实践","doi":"10.11778/j.jnxb.20240230","jieShuYe":"39","keywordList_en":["“Generation X”","Asian-American Poetry","wordplay","fragmented narrative","“blank space”"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=6947","zhaiyao_en":"From the 1980s to the present, Generation X Asian-American poets have been active in the American poetry scene. They have innovated and experimented with various poetic forms and styles, highly enriching the linguistic representation and aesthetic expression of contemporary English poetry. However, existing literary research has paid very little attention to Generation X Asian-American poets, and especially lacks research on the aesthetic and practical significance of Generation X Asian-American poetry.This article focuses on the innovative poetic practices in Generation X Asian-American poetry, including the use of creative language, fragmented narrative, and “blank space” visual presentation. Generation X Asian-American poets break down regional, cultural, temporal, and spatial boundaries by embedding multilingual symbols, adding intertextual dialogue across different time and space, and realizing multiple visual effects. The poet uses “wordplay” to subvert the authority of the English language, employs fragmented narratives to reveal the fractures in Asian-American cultural identity, and adopts “blank space” visual presentation to challenge “marginal” and “central” positions, dissembling the inherent power relations and boundaries of American society.This article contributes to existing literature in the following aspects. Firstly, this article captures the “double-blind spots” in literary research on contemporary American literature, that is, Generation X poets and Asian-American poetry. These two new subjects of focus not only mark an important complement to the study of Generation X Asian-American poetry but also point to an expansion from the study of Asian-American narrative texts to the study of Asian-American poetry. Secondly, this article discusses the diverse and heterogeneous aesthetic creations in Generation X Asian-American poetry, and focuses on the various breakthroughs in form and style made by Generation X Asian-American poets, which have greatly expanded and made unique contributions to the innovation and development of contemporary American poetry. Thirdly, Generation X Asian-American poets are immersed in a more equality-minded society that accepts social diversity characterized by race, class, religion, ethnicity, culture, language, and gender identity, and is therefore a more inclusive generation. By focusing on the Asian-American poetry created by this generation, this article explores the real living context and literary imagination space of the contemporary Asian ethnic group who grew up in the “post-civil rights era”, thereby providing a glimpse into the ethnicity, literature, and politics of the American society.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=6947","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20240230","zuoZheCn_L":"蒲若茜, 石俏杨","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024/V46/I4","zuoZhe_EN":"PU Ruoqian, SHI Qiaoyang","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=6947","title_en":"Innovative Poetic Practice of “Generation X” Asian-American Poetry","hasPdf":"true"},"authorNotes_cn":["蒲若茜,暨南大学外国语学院;石俏杨,暨南大学文学院。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); }, doAfterFun:function(selector,jsonData){doMagVueAfter(selector,jsonData);}});var pars = {attachType:'PDF',id:$("#articleId").val(),json:true};jQuery.post($("#mag-common-contextPath").val()+"/CN/article/showArticleFile.do?" + new Date().getTime(), pars, function(data){var json=null;if(data.match(/^\[json\].*/g)){json=eval("("+data.replace(/^\[json\]/g,"")+")");}if(json && json.status == 1){//有权限}else{//无权限$("#no-access-div").show();}});mag_ajax({url:mag_currentQikanUrl() + '/CN/article/getRichHtmlJson.do',data:{articleId:$("#articleId").val(),token:'0386d997c681438999efc77da63f0038',referer:document.referrer},dataType:"json",async:"false",success:function(json){if(json.richHtmlJson && json.richHtmlJson.article){if(json.trans){var _nlmdtdXmlCN = $("#article_nlmdtdXmlCN").val();var magDirCN = _nlmdtdXmlCN.replace(/\/[^\/]+$/,'');json.richHtmlJson.magDir=magDirCN;}else{json.richHtmlJson.magDir=magDir;}new mag_vue({ el: '#bodyVue', data:json.richHtmlJson, doTextFun:function(text){ return doDataJsonText(text); }, doAfterFun:function(selector,jsonData){doMagVueAfter(selector,jsonData);}});}}});//altmetricif($.trim($("#article_doi").val())!=''){$.ajax({url:'https://api.altmetric.com/v1/doi/'+$.trim($("#article_doi").val())+'?callback=altmetric_callback',//url:'https://api.altmetric.com/v1/doi/10.1007/s13238-016-0264-7?callback=altmetric_callback',dataType:'jsonp'});}mag_rich_menu(jQuery);$(function(){ $('#autoMenu').autoMenu();})$("#autoMenu").niceScroll({cursorcolor: "#ccc", //滚动条的颜色cursoropacitymax: 0, //滚动条的透明度，从0-1 touchbehavior: false, //使光标拖动滚动像在台式电脑触摸设备 true滚动条拖动不可用 cursorwidth: "6px", //滚动条的宽度 单位默认px cursorborder: "0", // 游标边框css定义 cursorborderradius: "3px", //滚动条两头的圆角 autohidemode: true, //是否隐藏滚动条 true的时候默认不显示滚动条，当鼠标经过的时候显示滚动条 zindex: "auto", //给滚动条设置z-index值 railvalign:'defaul',railpadding: {top: 0,right: -6,left: 0,bottom: 0}, //滚动条的位置});window.autoMenuFlag=true;$("#relatedArticles").niceScroll({cursorcolor: "#ccc", //滚动条的颜色cursoropacitymax: 0, //滚动条的透明度，从0-1 touchbehavior: false, //使光标拖动滚动像在台式电脑触摸设备 true滚动条拖动不可用 cursorwidth: "6px", //滚动条的宽度 单位默认px cursorborder: "0", // 游标边框css定义 cursorborderradius: "3px", //滚动条两头的圆角 autohidemode: true, //是否隐藏滚动条 true的时候默认不显示滚动条，当鼠标经过的时候显示滚动条 zindex: "auto", //给滚动条设置z-index值 railvalign:'defaul',railpadding: {top: 0,right: -6,left: 0,bottom: 0}, //滚动条的位置});//公式序号 居右jQuery(".mag-xml-disp-formula").each(function() {var _this = jQuery(this);var _label= _this.children("label");if(typeof(_label.html())!="undefined"){_this.children("label").remove();_this.wrap("");_this.parent().parent().append(""+_label.html()+"");}});$('body').click(function(){$('.daochu_div').hide();$('.qipao').hide();})$('.qipao').click(function(event){event.stopPropagation();})/*参考文献显示隐藏*/$('.biaotijiantoush1').click(function(event){if($(this).attr('class')=='glyphicon glyphicon-triangle-top biaotijiantoush biaotijiantoush1'){$(this).parents('.mag_main_zhengwen_left_div_ckwx_table_benwenyiny').next('.mag_main_zhengwen_left_div_ckwx_table_ckwx_xiangqing').stop().slideUp();$(this).attr('class','glyphicon glyphicon-triangle-bottom biaotijiantoush biaotijiantoush1');}else if($(this).attr('class')=='glyphicon glyphicon-triangle-bottom biaotijiantoush biaotijiantoush1'){$(this).parents('.mag_main_zhengwen_left_div_ckwx_table_benwenyiny').next('.mag_main_zhengwen_left_div_ckwx_table_ckwx_xiangqing').stop().slideDown();$(this).attr('class','glyphicon glyphicon-triangle-top biaotijiantoush biaotijiantoush1');}event.stopPropagation();});//加载补充材料mag_ajax_update({ele_id:'showArticle_suppls',url:mag_currentQikanUrl() + '/CN/article/showArticleSuppls.do',data:{articleId:$("#articleId").val()}});//加载专题mag_ajax_update({ele_id:'showArticle_subjects',url:mag_currentQikanUrl() + '/CN/subject/showSubjectListByArticle.do',data:{articleId:$("#articleId").val(),forwardJsp:'showArticle'}});//渲染公式mag_mathJax();});function altmetric_callback(json){if(json && json.score){if(json.score - parseInt(json.score) > 0){$("#altmetric-score").html(parseInt(json.score)+1);}else{$("#altmetric-score").html(parseInt(json.score));}$(".main_content_center_right_duoweidu_div").css("width","25%");$("#altmetric-a").show();$("#altmetric-a").attr("href",json.details_url);}}function richClickAuthor(name){var searchSQL = "((("+mag_advSearchValReplace(name)+"[Author]) AND 2J[Journal]) AND year[Order])";mag_request({url:mag_currentQikanUrl() + '/CN/searchresult',data:{searchSQL:searchSQL}});}function richClickKeyword(keyword){var searchSQL = "((("+mag_advSearchValReplace(keyword)+"[Keyword]) AND 2J[Journal]) AND year[Order])";mag_request({url:mag_currentQikanUrl() + '/CN/searchresult',data:{searchSQL:searchSQL}});}function mag_share(){$("#bShare_more_a").click();}function loadRelatedArticles(){if($("#showRelatedArticles") && $("#showRelatedArticles").length>0){//加载过了}else{mag_loading();mag_ajax_update({ele_id:'relatedArticles-content',url:mag_currentQikanUrl() + '/CN/article/relatedArticle.do',data:{id:$("#articleId").val(), forwardJsp:'showArticle'},complete:function(){mag_layer_close();}});}}function showMetrics(){mag_window_location(mag_currentQikanUrl() + '/CN/metrics/'+$("#articleId").val());}function piaofuFn(a,fnId){var content=''+$("#mag-rich-fn-"+fnId).html()+'';piaofu(a,content);}function huoqukuanduimg(){//}function doDataJsonText(text){var str = text;//var _nlmdtdXml = $("#article_nlmdtdXml").val();//var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');str = str.replace(/";ss += "";var shuomingTitle = "";var shuomingContent = '';if(fig.titleCn && fig.titleCn!=''){shuomingTitle = fig.titleCn;if(fig.titleContentCn && fig.titleContentCn!=''){shuomingContent += fig.titleContentCn;}}if(shuomingTitle==''){if(fig.titleEn && fig.titleEn!=''){shuomingTitle = fig.titleEn;}if(fig.titleContentEn && fig.titleContentEn!=''){shuomingContent += fig.titleContentEn;}}else{if(fig.titleEn && fig.titleEn!=''){shuomingContent += ""+fig.titleEn+"

来源：2024年第4期

《暨南学报(哲学社会科学版)》期刊编辑部

查看暨南学报(哲学社会科学版)杂志2024年第4期