暨南学报(哲学社会科学版)

作者：曾一果

单位：暨南大学新闻与传播学院。

关键词：齐林斯基,媒介思维,谱系学,未来考古,媒介想象力

基金：国家社会科学基金重大项目“数字媒介时代的文艺批评研究”(19ZDA269)。

德国媒介学家西格弗里德·齐林斯基通过“媒体思维的谱系”项目和“谱系学”方法,提出了重新理解媒介的诸多创见。齐林斯基强调对媒介思维的历时性与共时性双重探析,强调媒介在艺术、科学和技术之间的联系中运作,提出媒介谱系阐释中“过去考古”“即时考古”“未来考古”的多重面向;齐林斯基的媒介学自觉地批判媒介研究的欧洲中心主义倾向,鼓励超越时空、超越学科和超越地域的媒介想象力,极大地拓展了媒介学的研究领域与理论视野。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重大项目“数字媒介时代的文艺批评研究”(19ZDA269)。"],"article":{"keywordList_cn":["齐林斯基","媒介思维","谱系学","未来考古","媒介想象力"],"juan":"46","zhaiyao_cn":"德国媒介学家西格弗里德·齐林斯基通过“媒体思维的谱系”项目和“谱系学”方法,提出了重新理解媒介的诸多创见。齐林斯基强调对媒介思维的历时性与共时性双重探析,强调媒介在艺术、科学和技术之间的联系中运作,提出媒介谱系阐释中“过去考古”“即时考古”“未来考古”的多重面向;齐林斯基的媒介学自觉地批判媒介研究的欧洲中心主义倾向,鼓励超越时空、超越学科和超越地域的媒介想象力,极大地拓展了媒介学的研究领域与理论视野。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7102","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7102","articleType":"","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20241407","qi":"11","id":7102,"nian":2024,"bianHao":"1733127341751-108933644","zuoZheEn_L":"ZENG Yiguo","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024","shouCiFaBuRiQi":"2024-12-02","qiShiYe":"29","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024/V46/I11","lanMu_cn":"新闻与传播","pdfSize":"1420","zuoZhe_CN":"曾一果","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7102","title_cn":"媒介想象力:齐林斯基媒介思维的当代阐释","doi":"10.11778/j.jnxb.20241407","jieShuYe":"45","keywordList_en":["Zielinski","media thinking","genealogy","future archaeology","mediated imagination"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7102","zhaiyao_en":"The Genealogy of Media Thinking project is the result of conversations Zielinski has had with various media thinkers and scholars since 2013. In this project, Zielinski, through dialogue and communication with 17 media scholars, including Friedrich Knilly, Hans Bertin, Boris Groys, and Wolfgang Ernst, considers how various kinds of thinking about media are formed.In Preface to the Chinese Version of Genealogy of Media Thinking, Zielinski especially emphasizes the diachronic and synchronic nature of media thinking and how media thinking operates in the “connection” between diachronic and synchronic nature. In Zielinski's view, it is necessary to explore the “deep time” of audiovisual technology from a diachronic perspective. However, the history of media development is not a linear history but a multi-level and interpenetrating history. In this case, it is crucial to use lateral thinking to re-understand the media from a synchronic perspective. It is under the guidance of lateral thinking that people can find the origin point of the same medium in different disciplines and places at the same time. Zielinski believes that the diachronic and synchronic aspects of media thinking are not unrelated, but operate in “connections”, and it is in this connection that heterogeneous, different, and separate knowledge can be connected and form some lineage of media knowledge.Genealogy is Zielinski's most important research method for media archaeology. However, from works such as Media Archaeology and Time Machine, the core ideas of Zielinski's media archaeology have undergone many changes. He proposes concepts such as “prospective archaeology” and even “archaeology of the moment”, turning his gaze from the “past” to the “future”. Both “immediate archaeology” and “prospective archaeology” try to find the “future world” in the old or existing things, and such media archaeology has a strong utopian tendency.Zielinski is quite dissatisfied with the media studies of European and American logosism. He emphasizes the diversity of modernity and proposes the importance of shifting media studies to the “Global South”. However, due to the knowledge background and educational environment, it is still difficult for Zielinski to completely get rid of the media thinking of Eurocentrism. In addition, it is worth noting that in the study of the spectrum of media thinking, Zielinski especially emphasizes the importance of “media imagination”, and encourages people to boldly cross the boundaries, break the rules, and obtain the ability to grasp the reality and the future with new imagination.“Power” is a keyword in Foucault's research on the archaeology of knowledge and genealogy. Through the media archaeology of genealogy, Foucault hopes to explore the reasons and criteria for the formation of certain knowledge discourses as well as the power relations and structures surrounding these knowledge discourses. 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来源：2024年第11期

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