暨南学报(哲学社会科学版)

作者：林升栋, 李悦

单位：厦门大学新闻传播学院;李悦,中国人民大学新闻学院。

关键词：西游记,经典文学,文化自信,国际化传播

基金：国家社会科学基金一般项目“新时代国际传播中的说理研究”(22BXW034)。

党的二十届三中全会提出探索文化与科技融合的有效机制,构建中华文明标识体系。越来越多的经典文学作品在与当代科技、生活相适应的过程中表现出强烈的公共性,并且在当代审美视域下,激发出新的活力与社会文化价值。国产游戏《黑神话:悟空》以《西游记》为背景设定,不仅在国内掀起热潮,在海外也掀起了“悟空热”,展现出中国经典文学作品的深厚魅力。从《西游记》经典文学原著到现代流行的影视改编、动画制作、游戏开发等衍生作品,皆体现了中华经典文学作品的现代化呈现与国际化传播之道,使得语境转换成为传统文艺作品现代化新前提,叙述跨层成为文艺作品现代化呈现的主要手段,内容创新成为传统文艺作品再创经典的关键,技术赋能为现代化呈现与国际化传播提供可能,主体沉浸为创造性转化与创新性发展指明方向。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金一般项目“新时代国际传播中的说理研究”(22BXW034)。"],"article":{"keywordList_cn":["西游记","经典文学","文化自信","国际化传播"],"juan":"46","zhaiyao_cn":"党的二十届三中全会提出探索文化与科技融合的有效机制,构建中华文明标识体系。越来越多的经典文学作品在与当代科技、生活相适应的过程中表现出强烈的公共性,并且在当代审美视域下,激发出新的活力与社会文化价值。国产游戏《黑神话:悟空》以《西游记》为背景设定,不仅在国内掀起热潮,在海外也掀起了“悟空热”,展现出中国经典文学作品的深厚魅力。从《西游记》经典文学原著到现代流行的影视改编、动画制作、游戏开发等衍生作品,皆体现了中华经典文学作品的现代化呈现与国际化传播之道,使得语境转换成为传统文艺作品现代化新前提,叙述跨层成为文艺作品现代化呈现的主要手段,内容创新成为传统文艺作品再创经典的关键,技术赋能为现代化呈现与国际化传播提供可能,主体沉浸为创造性转化与创新性发展指明方向。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7101","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7101","articleType":"","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20241810","qi":"11","id":7101,"nian":2024,"bianHao":"1733127341459-258939289","zuoZheEn_L":"LIN Shengdong, LI Yue","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024","shouCiFaBuRiQi":"2024-12-02","qiShiYe":"16","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024/V46/I11","lanMu_cn":"新闻与传播","pdfSize":"1395","zuoZhe_CN":"林升栋, 李悦","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7101","title_cn":"《西游记》的分身——论《黑神话:悟空》的文化自信与国际传播","doi":"10.11778/j.jnxb.20241810","jieShuYe":"28","keywordList_en":["Journey to the West","classic literature","cultural confidence","international communication"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7101","zhaiyao_en":"The Third Plenary Session of the 20th Central Committee of the Communist Party of China (CPC) proposed to explore the effective mechanism of the integration of culture and technology, and build the identification system for Chinese civilization. With the increasing revival of traditional culture, more diverse traditional literary and artistic works show increasingly strong publicity in the process of adapting to contemporary technology and life, thus inspiring new vitality and social and cultural values under the contemporary aesthetic vision. As a classic Chinese literary work, Journey to the West has been interpreted by modern creators in various forms such as film and television series, animation, and games, and has become the most dynamic and popular classic literary IP at present. Recently, the new derivative of Journey to the West, the domestic game Black Myth: Wukong has not only set off a boom in China, but also aroused “Wukong enthusiasm” overseas, showing the profound charm of Chinese classic literature works and the cultural confidence of Chinese people in the new era.The modernization of Chinese classic literature has a profound historical background. The evolution of media technology has put forward requirements for the modernization of Chinese classic literary works. The author selected Journey to the West original (literature, Ming Dynasty), Journey to the West (TV series, 1986), A Chinese Odyssey (film, 1994), Black Myth: Wukong (game, 2024), and other materials to make a comparative analysis through reading and experiencing.The findings are as follows. First, context shift has become a new premise for the modernization of traditional literary works. Modern presentation needs to break away from the traditional cultural context, incorporate its cultural expression into the modern context, take modern people's common sense of life and social background as the expression basis, speak the ancient things through the mouths of modern people, and express their views from the perspective of modern people. Second, narrative cross-layer has become the main means of modern presentation of classic literary works. The evolution of modern media technology, whether it is games or movies, is more realistic from a limited perspective. Narration blurs the boundary between story and reality and narrows the distance between them. Third, content innovation has become the key to the re-creation of classic literary works. Whether the traditional works can be re-created in the modern presentation depends on the ingenious use of the original narrative framework, the appropriate adaptation of some content of the story, and whether it conforms to the contemporary aesthetic. The content innovation of classical literary works must meet the needs of modern life and solve the current social problems. Fourth, technology enables modern presentation and international communication. Three-dimensional reading based on the multiple presentations of audiovisual languages deconstructs the content of traditional literary works and gives them new forms. From two-dimensional plane to three-dimensional media differences, integration, and innovation, media products with more concrete, visual, and multi-sensory scheduling provide a new carrier for cultural communication. The international dissemination of Chinese cultural works must solve the problems of local people and meet the needs of local people. Fifth, audience immersion provides the direction of creative transformation and innovative development. Subject immersion depends on not only technical empowerment but also the feeling and atmosphere of shared participation. The new technology enables the audience to go beyond the single binary choice of “live” and “online”, and provides an integrated way of subject immersion.Some young people are inspired by modern works and go back to classic Chinese literary works, thus using them as a medium to pass down from generation to generation. Adhering to integrity and innovation, prospering and developing cultural undertakings and cultural industries, as well as integrating traditional culture into real life, has become the only choice to pick up cultural memories and stick to cultural genes.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=7101","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20241810","zuoZheCn_L":"林升栋, 李悦","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2024","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2024/V46/I11","zuoZhe_EN":"LIN Shengdong, LI Yue","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=7101","title_en":"The Derivative of Journey to the West: International Dissemination of Black Myth: Wukong and Chinese Cultural Confidence","hasPdf":"true"},"authorNotes_cn":["林升栋,厦门大学新闻传播学院;李悦,中国人民大学新闻学院。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2024年第11期

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