暨南学报(哲学社会科学版)

作者：陈志勇

单位：中山大学中国非物质文化遗产研究中心、中山大学中文系。

关键词：四部分类法,戏曲书归类,文体观念,藏书目录

基金：国家社会科学基金重大项目“明清戏曲选本叙录与珍稀版本集成研究”(23&ZD283)。

明清时期戏曲已成为社会各个阶层文化生活的重要组成部分,官方和私人皆藏有丰富的戏曲类书籍。各家藏书目是否著录戏曲,或在经史子集之内,还是之外另立新目著录,映照出知识精英对戏曲文体特征和书籍性质的认知与判断。在“四部分类法”视野下,目录学家依据“因近附类”和“向内识类”两种理路完成戏曲的定位与归类。戏曲在公私书目中从“四部”皆可入到基本固定在“集部·词曲类”的归类变化,是目录学和官学双重知识体系下戏曲文体观念作用的结果,体现出戏曲与图书分类、戏曲与知识管理之间的互动。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重大项目“明清戏曲选本叙录与珍稀版本集成研究”(23&ZD283)。"],"article":{"keywordList_cn":["四部分类法","戏曲书归类","文体观念","藏书目录"],"juan":"47","zhaiyao_cn":"明清时期戏曲已成为社会各个阶层文化生活的重要组成部分,官方和私人皆藏有丰富的戏曲类书籍。各家藏书目是否著录戏曲,或在经史子集之内,还是之外另立新目著录,映照出知识精英对戏曲文体特征和书籍性质的认知与判断。在“四部分类法”视野下,目录学家依据“因近附类”和“向内识类”两种理路完成戏曲的定位与归类。戏曲在公私书目中从“四部”皆可入到基本固定在“集部·词曲类”的归类变化,是目录学和官学双重知识体系下戏曲文体观念作用的结果,体现出戏曲与图书分类、戏曲与知识管理之间的互动。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7164","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7164","articleType":"","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20231799","qi":"2","id":7164,"nian":2025,"bianHao":"1742197560958-704834073","zuoZheEn_L":"CHEN Zhiyong","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025","shouCiFaBuRiQi":"2025-03-17","qiShiYe":"15","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025/V47/I2","lanMu_cn":"中国文学原理及其特质·通俗文学","pdfSize":"913","zuoZhe_CN":"陈志勇","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7164","title_cn":"“四部法”视野下戏曲书归类的分歧及其逻辑涵蕴——以明清公私综合书目、书志为中心的考察","doi":"10.11778/j.jnxb.20231799","jieShuYe":"33","keywordList_en":["“four-part categorization”","classification of opera books","the thought towards literary genres","library catalogues"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7164","zhaiyao_en":"In the Ming and Qing dynasties, some public and private bibliographic records record opera but some do not. Those who record opera can be divided into two situations. Firstly, opera can randomly enter “classics”, “histories”, “philosophies” and “collections”. Secondly, opera is set into a new category in addition to “four categories”. There are different ways of finding a place for opera out of “four categories”, such as “the attachment outside ‘four categories’” (directly taking opera as an appendix to the whole bibliography), “forming an independent part” (giving opera and “four categories” the treatment as paralleling categories), and “temporarily following a new category” (attached to a new department out of “classics”, “histories”, “philosophies”, and “collections”). They are a kind of deformation or flexible treatment to the “four-part categorization” made by bibliographers to adapt to the development of books.The record of drama in “four categories” has its internal logic, which is mainly embodied in two kinds of logic: “attached to a category with similar nature” and “identifying the category based on its inner quality”. “Attached to a category with similar nature” mainly refers to a record method that will attach opera based on its feature of literature genre to documents with similar nature, such as attaching opera to novels, Ci, and non-dramatic songs when the bibliographer is unsure of how to classify opera. “Identifying the category based on its inner quality” refers to searching for corresponding relationships between “four categories” and opera and thus making a reasonable classification of opera books through realizing and recognizing the inner quality and outer characterization of opera. The change in the classification of opera in public and private bibliographies from “four categories” that can be arbitrarily entered to mainly fixed in “lyrics and songs from ‘collections’” is a result of the literary genre of opera under the dual knowledge system of bibliography and official studies, and reflects the process of long-term negotiation, run-in, and verification between opera and book classification and between opera and knowledge management. It means that intellectuals have regarded opera as a member of the literary family and the status of opera has been greatly improved.The classification of opera books shows the situation of “receiving and not receiving”, “where to collect”, and “fixed in ‘collections’” from the perspective of “four-part categorization”, which reflects the disjunction between opera and “classics” and “histories” and “philosophies” and “collections” when the official and private handle the classification of “four categories” in Ming and Qing dynasties. It presents a delicate process in which knowledge characteristics, book nature, and functional value of a new style interactively struggle with the traditional knowledge system and the zeitgeist, as well as the evolution of the attitude of intellectuals and even the national political system and cultural thought system in the Ming and Qing dynasties towards opera.Through examining different treatment schemes for the classification of opera books in comprehensive catalogues under the vision of “four-part categorization”, this paper restores the judging process of the nature of books and thoughts to the literary genre of opera held by literati and royal family, and reveals the complex aspects of acceptance from different social classes towards opera in Ming and Qing dynasties, which helps further understand the rich significance of the change of stylistic ideas of opera.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=7164","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20231799","zuoZheCn_L":"陈志勇","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025/V47/I2","zuoZhe_EN":"CHEN Zhiyong","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=7164","title_en":"The Disagreements and Logical Connotation in the Classification of Chinese Opera Books from the Perspective of “Four-part Categorization”: An Investigation Focusing on the Public and Private Comprehensive Bibliographies and Book Records in Ming and Qing Dynasties","hasPdf":"true"},"authorNotes_cn":["陈志勇,中山大学中国非物质文化遗产研究中心、中山大学中文系。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2025年第2期

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