暨南学报(哲学社会科学版)

作者：曾礼军, 刘宇颂

单位：浙江师范大学人文学院、江南文化研究中心。

关键词：明清世情小说,梦境插图,图像隐喻,文学功能

基金：国家社会科学基金重点项目“游士叙事视角下的明清小说地图研究”(19AZW014)。

梦境插图与明清世情小说有着密切的关联,不仅梦境插图集中在世情小说当中,而且图像表达也呈现出独特的“世情化”特征。梦境插图以世情小说文本为依据进行构图和绘刻,表现婚恋情感、人生命运和善恶道德等世情内涵。梦境插图又具有图像阐释的能动性,聚焦于世情人物和世情场景的绘刻和再创作,通过“梦里”与“梦外”的双重图像形态来再现、深化和拓展小说中的世情主题。梦境插图作为世情小说的副文本,还对小说文本的阅读和传播具有突出的辅助作用,进一步凸显和强化了世情叙事和世情主题。梦境插图的这种“世情化”现象的形成,是梦文化意识的民族累积、梦境图像绘制的繁荣与明清尚情文化思潮合力作用的结果。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重点项目“游士叙事视角下的明清小说地图研究”(19AZW014)。"],"article":{"keywordList_cn":["明清世情小说","梦境插图","图像隐喻","文学功能"],"juan":"47","zhaiyao_cn":"梦境插图与明清世情小说有着密切的关联,不仅梦境插图集中在世情小说当中,而且图像表达也呈现出独特的“世情化”特征。梦境插图以世情小说文本为依据进行构图和绘刻,表现婚恋情感、人生命运和善恶道德等世情内涵。梦境插图又具有图像阐释的能动性,聚焦于世情人物和世情场景的绘刻和再创作,通过“梦里”与“梦外”的双重图像形态来再现、深化和拓展小说中的世情主题。梦境插图作为世情小说的副文本,还对小说文本的阅读和传播具有突出的辅助作用,进一步凸显和强化了世情叙事和世情主题。梦境插图的这种“世情化”现象的形成,是梦文化意识的民族累积、梦境图像绘制的繁荣与明清尚情文化思潮合力作用的结果。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7194","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7194","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20240683","qi":"3","id":7194,"nian":2025,"bianHao":"1749699403047-102881051","zuoZheEn_L":"ZENG Lijun, LIU Yusong","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025","shouCiFaBuRiQi":"2025-06-12","qiShiYe":"54","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025/V47/I3","lanMu_cn":"中国文学原理及其特质·通俗文学","pdfSize":"1491","zuoZhe_CN":"曾礼军, 刘宇颂","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7194","title_cn":"明清世情小说梦境插图的图像隐喻与文学功能","doi":"10.11778/j.jnxb.20240683","jieShuYe":"69","keywordList_en":["human relationship novels of Ming and Qing dynasties","dream illustrations","visual metaphor","literary function"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7194","zhaiyao_en":"The study of illustrations in ancient Chinese fiction has emerged as a burgeoning academic field in recent years, yielding notable scholarly achievements through comprehensive explorations, case studies, or theoretical syntheses. Research scopes have expanded temporally from ancient to modern eras and geographically from domestic to international contexts. However, existing studies predominantly focus on summarizing universal patterns and theoretical frameworks of image creation, with limited attention to specific themes or unique visual motifs in fictional illustrations. This paper investigates the distinctive metaphorical and literary functions of dream illustrations by examining their intrinsic correlation with domestic fiction of the Ming and Qing dynasties. Dream illustrations not only predominantly appear in domestic fiction but also exhibit uniquely “domesticated” visual characteristics. Grounded in the textual narratives of such fiction, these illustrations depict worldly themes such as romantic relationships, human destiny, and moral dilemmas. Moreover, they demonstrate interpretive agency by reimagining domestic characters and scenarios, utilizing a dual visual structure-“within the dream” and “outside the dream”-to amplify, deepen, and extend the fiction's thematic concerns. As paratexts, dream illustrations play a pivotal role in facilitating the reading and dissemination of the texts, further accentuating their domestic narratives. The emergence of this “human relationship” phenomenon in dream illustrations stems from the cumulative cultural consciousness of dreams, the flourishing of dream imagery in art, and the ethos of emotionalism prevalent in Ming and Qing intellectual culture. This paper innovates in two key aspects. First, it identifies the visual markers and stylistic conventions of dream illustrations. These works employ cloud and mist motifs as visual boundaries, dividing the image into “dream” (within the motifs) and “reality” (the dreamer outside), thereby forming a stylized visual formula: dreamer + cloud motifs + dream scene. Second, it explores how dream illustrations uniquely interpret domestic fiction through polysemous imagery, particularly through dual character portrayals and spatial configurations of “dream” and “reality”, while guiding readers by highlighting pivotal narrative moments and moral didacticism. The significance of this paper lies in its in-depth analysis of a specific illustrative genre within a distinct literary tradition. 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