暨南学报(哲学社会科学版)

作者：黄杰

单位：西南政法大学民商法学院。

关键词：人工智能生成物,文化多样性,著作权保护,建设性反思

基金：国家社会科学基金重大项目“创新驱动发展战略下知识产权公共领域问题研究”(17ZDA138)。

面对当前人工智能生成物多以文学艺术作品的形式表现,文化多样性不失为一种论证人工智能生成物是否应获得著作权保护的逻辑视角。文化多样性不仅是著作权法的立法宗旨,更是著作权法内权利保护与公共领域机制共生的逻辑必然,它们分别从产权激励与资源支持两方面推动了职业作者与社会大众的创作活动,并实现了作品样态的多样化。但以DeepSeek为代表的人工智能,即便输入提示词也几乎依靠机器本身产出的生成物,因存在单一化、普遍化和同质化的问题,它们不仅无法实现文化创新,也难以形成具有人文精神的作品,对其的保护更不能促发有效的创作激励,容易陷入文化多样性的危机。因此,输入提示词的行为更接近于“劳动/创造二分”中的劳动,其生成物更应归入公共领域之范畴。因此,著作权法的保护应当适用于有人类深度参与的人工智能生成物中,如此才能激励人类利用人工智能创作出更多具有文化意义的作品,以充沛人类文化的表现形式和样态,进而推进文化多样性价值的实现。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金重大项目“创新驱动发展战略下知识产权公共领域问题研究”(17ZDA138)。"],"article":{"keywordList_cn":["人工智能生成物","文化多样性","著作权保护","建设性反思"],"juan":"47","zhaiyao_cn":"面对当前人工智能生成物多以文学艺术作品的形式表现,文化多样性不失为一种论证人工智能生成物是否应获得著作权保护的逻辑视角。文化多样性不仅是著作权法的立法宗旨,更是著作权法内权利保护与公共领域机制共生的逻辑必然,它们分别从产权激励与资源支持两方面推动了职业作者与社会大众的创作活动,并实现了作品样态的多样化。但以DeepSeek为代表的人工智能,即便输入提示词也几乎依靠机器本身产出的生成物,因存在单一化、普遍化和同质化的问题,它们不仅无法实现文化创新,也难以形成具有人文精神的作品,对其的保护更不能促发有效的创作激励,容易陷入文化多样性的危机。因此,输入提示词的行为更接近于“劳动/创造二分”中的劳动,其生成物更应归入公共领域之范畴。因此,著作权法的保护应当适用于有人类深度参与的人工智能生成物中,如此才能激励人类利用人工智能创作出更多具有文化意义的作品,以充沛人类文化的表现形式和样态,进而推进文化多样性价值的实现。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7205","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7205","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20242203","qi":"4","id":7205,"nian":2025,"bianHao":"1751353165467-296688803","zuoZheEn_L":"HUANG Jie","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025","shouCiFaBuRiQi":"2025-07-01","qiShiYe":"67","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025/V47/I4","lanMu_cn":"数字治理","pdfSize":"745","zuoZhe_CN":"黄杰","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7205","title_cn":"文化多样性视角下人工智能生成物版权保护之殇","doi":"10.11778/j.jnxb.20242203","jieShuYe":"82","keywordList_en":["AI-generated objects","cultural diversity","copyright protection","constructive rethinking"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7205","zhaiyao_en":"The emergence of artificial intelligence (AI), such as DeepSeek, has revolutionized the way works are created, and the emergence of various types of AI-generated objects continues to impact the way humans perceive copyright protection for works. Given that the current AI-generated objects are mostly expressed in the form of literary and artistic works, and cultural diversity is the ultimate goal of copyright legislation, cultural diversity is a logical perspective for arguing whether AI-generated objects can obtain copyright protection. When analyzing it from this logical perspective, it is possible to identify a lack of culturality in AI-generated objects that rely solely on human input of cue words.By describing the mechanism of operation of the internal mechanism of copyright law, this article clarifies that copyright protection and public domain retention, as well as the state of balance between the two, are aimed at ensuring the realization of cultural diversity. Using this as a basis, the article analyzes how AI-generated objects that rely solely on the input of cue words can lead to a cultural diversity crisis. AI is controlled by humans and absorbs limited data, so it lacks the ability to innovate culturally. AI is unable to generate “Gdel information” unique to the human brain and lacks the input of human emotions, so AI-generated objects lose their humanistic significance. The homogenization and pervasiveness of the content of AI-generated objects, the speculative behavior that can easily be triggered by the low cost of creation, and the fact that AI is being developed to improve human life rather than to replace human creativity, mean that AI-generated objects are unable to stimulate cultural output. The act of inputting prompt words is closer to the labor in the “labor/creation dichotomy”. Only when humans use AI as a tool and are deeply involved in the process of producing AI-generated objects is there a need for copyright law protection; otherwise, AI-generated objects should all go into the public domain.This article expands previous literature in the following aspects. 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来源：2025年第4期

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