暨南学报(哲学社会科学版)

作者：吴肖丹

单位：广东外语外贸大学中国语言文化学院、中华文化国际传播研究院。

关键词：江户,郑成功,通俗军谈,读本

基金：国家社会科学基金一般项目“日本江户时期中国古典小说图像研究”(23BZW100)。

日本江户时期的《明清军谈国姓爷忠义传》和《通俗台湾军谈》,是创作自由度很高的读本,放在通俗军谈之列模糊了其属性,《绘本国姓爷忠义传》是这两部读本拼合而成。读本的底本除前人所考的《定鼎奇闻》《靖台实录》外,还有时事、笔记小说《辽海丹忠录》《明季北略》等。通过对中国史料“七实三虚”的剪裁翻改,达到“三实七虚”的叙事效果。读本将熊廷弼、李成栋等人事迹嫁接到郑氏父子身上,形塑郑氏父子忠臣、军神、海上霸主等形象。通过推进明、清、倭、国姓爷、大员等构成的两条文本隐性叙事进程,和图像互文阐释,影响了上层到平民的历史教育。这些读本在明治时期多次再版并被引用,对中国晚清的郑成功叙事产生了影响。"/>template{display:none;}.mag-rich-xref-fn { cursor: pointer;}//长视频$(document).ready(function(){if($("#showLongArticleVideo") && $("#showLongArticleVideo").length && $("#showLongArticleVideo").length>0){mag_ajax_update({ele_id:'showLongArticleVideo',url:mag_currentQikanUrl() + "/CN/article/showLongArticleVideo.do?id="+$("#articleId").val()});}});$(document).ready(function(){window.metaData = {"journal":{"issn":"1000-5072","qiKanMingCheng_CN":"暨南学报（哲学社会科学版）","id":2,"qiKanMingCheng_EN":"Jinan Journal"},"fundList_cn":["国家社会科学基金一般项目“日本江户时期中国古典小说图像研究”(23BZW100)。"],"article":{"keywordList_cn":["江户","郑成功","通俗军谈","读本"],"juan":"47","zhaiyao_cn":"日本江户时期的《明清军谈国姓爷忠义传》和《通俗台湾军谈》,是创作自由度很高的读本,放在通俗军谈之列模糊了其属性,《绘本国姓爷忠义传》是这两部读本拼合而成。读本的底本除前人所考的《定鼎奇闻》《靖台实录》外,还有时事、笔记小说《辽海丹忠录》《明季北略》等。通过对中国史料“七实三虚”的剪裁翻改,达到“三实七虚”的叙事效果。读本将熊廷弼、李成栋等人事迹嫁接到郑氏父子身上,形塑郑氏父子忠臣、军神、海上霸主等形象。通过推进明、清、倭、国姓爷、大员等构成的两条文本隐性叙事进程,和图像互文阐释,影响了上层到平民的历史教育。这些读本在明治时期多次再版并被引用,对中国晚清的郑成功叙事产生了影响。","endNoteUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=EndNote&id=7248","reference":"","bibtexUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=BibTeX&id=7248","abstractUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/10.11778/j.jnxb.20242567","qi":"6","id":7248,"nian":2025,"bianHao":"1757309471877-1727659775","zuoZheEn_L":"WU Xiaodan","juanUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025","shouCiFaBuRiQi":"2025-09-08","qiShiYe":"19","qiUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025/V47/I6","lanMu_cn":"中国文学原理及其特质","pdfSize":"5765","zuoZhe_CN":"吴肖丹","risUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=Ris&id=7248","title_cn":"形塑郑成功:日本江户的国姓爷读本及图像","doi":"10.11778/j.jnxb.20242567","jieShuYe":"38","keywordList_en":["Edo","Zheng Chenggong","Gundan","Yomihons"],"endNoteUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/article/getTxtFile.do?fileType=EndNote&id=7248","zhaiyao_en":"During the Edo period of Japan, the Yomihons Gundan of Guoxingye in the Ming and Qing Dynasties, Gundan of Taiwan and Ehon of Guoxingye are historical books on the theme of the Guoxingye, with rich volumes and a large number of books. They had a great influence at that time. At present, relative research focuses on the Battle of the Guoxingye, and there is little research on these three historical education Yomihons that spread for more than 100 years during the Edo period and covered the upper class to the common people, and ignores the fact that the Yomihons in Meiji are rearranged versions of these three Yomihons.By comparing the contents of the Gundan of Guoxingye in Ming and Qing Dynasties and Gundan of Taiwan with the original texts, and comparing them with other related Chinese novel texts, this paper analyzes the stitching logic of the Ehon of Guoxingye co-edited by these two Yomihons a hundred years later, combined with the creation of 21 Gundan and later Yomihons in Edo, aiming to gain an in-depth understanding of the book nature, creative intention, and purpose of the renovation of these three Yomihons. Based on clarifying the original text, combined with the theory of comparative literary iconography, this paper analyzes the degree, method, and illustrations of the three Yomihons, thus exploring the techniques and purposes of the readers to shape Zheng Gongcheng and change the theme of the original text. On this basis, combined with the theory of covert progression and the theory of literary imagery, this paper analyzes the two covert progression processes of text and illustrations intertextual interpretation, and reveals the fundamental logic that shapes Zheng Chenggong and the influence of reader education.This paper expands on previous studies in the following four aspects. First, it discusses three historical Yomihons that have not been paid attention to by existing research but have a large number of actual readers and conducts an in-depth analysis of the texts. Second, it is pointed out that in addition to the Establishment of the Qing Dynasty and historical materials examined by the predecessors, the original text of Gundan of Guoxingye in Ming and Qing Dynasties has in fact been revised and adapted from more than a dozen novels, such as The Northern History of the Late Ming Dynasty, The Southern History of the Late Ming Dynasty, The Record of Loyalty and Bravery in Liaodong, and The Chronicles of the Middle Ming Dynasty. Third, it is pointed out that the Yomihons achieve the narrative effect of “seventy percent fiction and thirty percent historical materials” through the translation and modification of the “seventy percent historical materials and thirty percent fiction” of Chinese historical materials and novels, and these Yomihons grafted the deeds of figures like Xiong Tingbi and Li Chengdong onto the Zheng family, shaped them as loyal ministers, military gods and sea overlords. Fourth, this paper discusses the intertextual interpretation of the text and the illustrations and points out that the text of Yomihons has influenced the history education from the upper class to the common people by promoting the two covert progression processes composed of the Ming Dynasty, Qing Dynasty, Wa, Guoxingye, and Dayuan, as well as the intertextual interpretation of illustrations. Based on textual analysis, this paper clarifies the background of the text, explores the way in which the “seventy percent fiction and thirty percent historical materials” of the text shape Zheng Chenggong, and reveals the implicit narrative process of intertextual interpretation of text and illustrations. It is helpful to trace the formation and reception of the narrative from Edo to the late Qing Dynasty, clarify the creative intention and reader education of the three Yomihons in the period of Edo, and point out the influence of the circulation of the books on the understanding and shaping of Zheng Gongcheng by modern Chinese literati.","bibtexUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=BibTeX&id=7248","abstractUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/10.11778/j.jnxb.20242567","zuoZheCn_L":"吴肖丹","juanUrl_cn":"https://jnxb.jnu.edu.cn/skb/CN/Y2025","lanMu_en":"","qiUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/Y2025/V47/I6","zuoZhe_EN":"WU Xiaodan","risUrl_en":"https://jnxb.jnu.edu.cn/skb/EN/article/getTxtFile.do?fileType=Ris&id=7248","title_en":"Shaping Zheng Chenggong: The Yomihons and illustrations of the Guoxingye in Edo of Japan","hasPdf":"true"},"authorNotes_cn":["吴肖丹,广东外语外贸大学中国语言文化学院、中华文化国际传播研究院。"]};if(window.metaData && (!window.metaData.authorNotesCommon_cn && !window.metaData.authorNotesCorresp_cn && window.metaData.authorNotes_cn)){window.metaData.authorNotesCommon_cn = window.metaData.authorNotes_cn;}if(window.metaData && (!window.metaData.authorNotesCommon_en && !window.metaData.authorNotesCorresp_en && window.metaData.authorNotes_en)){window.metaData.authorNotesCommon_en = window.metaData.authorNotes_en;}var _nlmdtdXml = $("#article_nlmdtdXml").val();var magDir = _nlmdtdXml.replace(/\/[^\/]+$/,'');window.metaData.magDir = magDir;new mag_vue({ el: '#metaVue', //dataUrl: mag_currentQikanUrl() + '/EN/article/getRichHtmlJson.do?articleId='+$("#articleId").val(), data:window.metaData, loading:true, doTextFun:function(text){ return doDataJsonText(text); 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来源：2025年第6期

《暨南学报(哲学社会科学版)》期刊编辑部

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